Visual Artist and Storyteller

“When art carries a message, it has the power to shape perceptions”

Sonia Bhamra is an award-winning, multidisciplinary artist and storyteller based in Birmingham, UK. Known for her narrative-driven approach to lens-based media, she holds a BA (Hons) in Fine Art and describes her creative process as “painting with photography.” Her practice sits at the intersection of visual arts, photography, community engagement, and environmental consciousness, and is directly informed by her current MA in Arts & Education Practices, for which she was awarded the Gertrude Bowater Scholarship.

Under the ongoing project of Illusions of Maya, an Arts Council England–funded body of research rooted in her Sikh heritage, she explores climate consciousness through an intersectional lens. Rather than leading with data, she applies a philosophical approach to climate conversations. Her work asks: how can we shift perception to recognise our interdependence with the living world? Within this research sit The Illusion of Separation—the photographic series containing Dressed in Excess, recognised by the British Journal of Photography’s Decade of Change Award, and Save Our Forests, selected by Earth Photo and the ongoing investigation The Nature of Our Minds, an inquiry into urban green space as a portal to the subconscious.

Translating this research into practice, Bhamra has led nature-disconnection investigations with the Ikon Youth Programme at Ikon Gallery and developed co-creative social practices including Maya in Practice with Spectra and Brushstrokes Community Project. She has also led community workshops across Birmingham.

Sonia’s work has been exhibited at the Royal Geographical Society’s EARTH PHOTO exhibition, the Lishui International Photography Festival in China, and Belfast Photo Festival, and featured in The Times and the British Journal of Photography. Working across photography, archival material, text, moving image, and installation, she examines how photographs mediate political events, historical experience, and contemporary social and environmental issues.

Her images—often immersive, warm, and cinematic explore human geography, the anthropological impact on ecosystems, and the quiet resilience of local communities. She positions her camera as a “visual arm” for change, believing that when art carries a message, it can challenge desensitisation, shift collective perceptions, and spark meaningful global dialogue. Ultimately, her work serves as both a mirror and a lens, challenging audiences to look beneath the surface and confront the critical issues of our time.